Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Gaspar Peeter Verbrugghen the younger
Still life of a garland of flowers surrounding a niche containing a statue of the immaculate conception

ID: 27350

Gaspar Peeter Verbrugghen the younger Still life of a garland of flowers surrounding a niche containing a statue of the immaculate conception
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Gaspar Peeter Verbrugghen the younger Still life of a garland of flowers surrounding a niche containing a statue of the immaculate conception


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Gaspar Peeter Verbrugghen the younger

Flemish , Antwerp 1664-1730   Related Paintings of Gaspar Peeter Verbrugghen the younger :. | Deutsch: Der Hoffart sitzt der Bettel auf der Schleppe | Parsifal | St Barnabas Altarpiece | The Sourec | Coal Barges (nn04) |
Related Artists:
Jan de Bray
1627-1697 Dutch Painter, draughtsman and etcher, son of (1) Salomon de Bray. He spent virtually the whole of his career in Haarlem, except for the period 1686-8, when he lived in Amsterdam. After training with his father, Jan began working as a portrait painter in Haarlem in 1650, an activity he continued for the next 40 years. Between 1667 and 1684 he served on the committee for the Haarlem Guild of St Luke, whose leading members he portrayed in a picture dated 1675 (Amsterdam, Rijksmus.) that includes a self-portrait (Jan is seen standing and drawing on the left). He married three times, in 1668, 1670 and 1672. His first two wives died a year after their marriage, his third two years afterwards, and in each case the death was followed by disputes over the inheritance. Jan bankruptcy of 1689 may have been a result of one of the lawsuits. He was 62 at the time, and from then onwards he seems to have lost his artistic drive, crushed by the financial blow and the consequent loss of social position.
michael sittow formerly known as maitre Michiel
Reval(Estonia)ca 1468-1525/26
Kitty Kielland
Norwegian Painter, 1843-1914 was a Norwegian landscape painter. Kielland was born to an affluent family in Stavanger, the older sister of Alexander Kielland. Kielland's mutual interactions with her brother would be important to shaping her as an artist. Although she received some training in drawing and painting, it was not until she turned thirty that she was allowed to train as a professional artist. In 1873 she traveled to Karlsruhe where she was trained by Hans Gude. As a woman Kielland was forced to take private lessons from Gude instead of joining his landscape painting class. Gude's adherence to realism left a lasting impression on Kielland that was visible in her later works.[






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